[{"data":1,"prerenderedAt":496},["ShallowReactive",2],{"sanity-seVj8JkvftTn6BBVoIvoh4ec4GJSy70KyzGozaO_5O4":3,"sanity-nz1-iYUoozR-qs3M_SnMowbEdJ6y1J5c5IFKXzbXMxI":13,"sanity-YGkg-qH3xHyyPqDE8GpgA2DDDM37oCk0egXeAGhCrvQ":27},{"data":4},{"artistStatement":5,"email":6,"favicon":7,"instagram":8,"seo":9},"I am an Italian artist (b. 1993) living in London. I graduated with Distinction in the Photography MA at the Royal College of Art (2019) after studying for a BA in Fine Arts at the Florence Academy of Fine Arts (2016). My practice focuses on the relationship between images and marks, seen as both carriers of memories.\n\nMarks are represented in my work physically and abstractly to examine their connection to memories and deconstruct how these memories take form as images in art. As an artist, I am interested in exploring traumatic experiences, the taboos surrounding them, and how the inability to talk about feelings and past events ‘wounds us’ with a mark that is impossible to hide and heal completely.\n\nMy body of work revolves around photography and moving images, emphasising darkroom-based processes. The tactile element of my handprints and celluloid films is central. I am prompted by experiments and mistakes that occur, allowing light leaks and scratches to guide my work. My first series, 'Leaving a Mark,' showcases an example of this.\n\nSelected for the SW Darkroom Residency Award, The Labyrinth Lab \u002F RCA Award 2019 and the London Creative Network in 2020. My work has been shown in Italy, England, America, and Czech Republic.\n\n","saramarinangeli7@gmail.com","https:\u002F\u002Fcdn.sanity.io\u002Fimages\u002Fcbezc2c6\u002Fproduction\u002F91e8c38a89c47a15898ee8a842126eb546e05b92-695x695.png","@saramarinangeli7",{"metaDescription":10,"metaImage":11,"metaTitle":12},"Italian artist (b. 1993) living in London","https:\u002F\u002Fcdn.sanity.io\u002Fimages\u002Fcbezc2c6\u002Fproduction\u002F3ad7910d42267aaf86e280e16e218b68e4f2eaba-1440x1024.jpg","Sara Marinangeli",{"data":14},[15,19,23],{"_id":16,"slug":17,"title":18},"093be74f-5eda-4d03-8b55-febe76a3d101","photography","Photography",{"_id":20,"slug":21,"title":22},"08e311c1-919b-4d69-890c-3daa28d45f3d","film","Film",{"_id":24,"slug":25,"title":26},"5d90fe37-8f61-4c63-b4f4-bd293dd205f8","commissions","Commissions",{"data":28},{"_id":20,"projects":29,"seo":32,"slug":21,"title":22},[30,88,115,176,397,440],{"_id":31,"description":32,"mainCategory":21,"shareImage":32,"slides":33,"slug":85,"summary":86,"title":87},"6afb18af-df45-42a9-a1f7-a237eba2d598",null,[34,38],{"_key":35,"_type":36,"caption":32,"url":37},"48cc1074efe3","videoSlide","https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=GhkLeIadp5s",{"_key":39,"_type":40,"body":41},"0539a32b0c92","textSlide",[42,53,61,69,77],{"_key":43,"_type":44,"children":45,"markDefs":51,"style":52},"19cafacb5b0d","block",[46],{"_key":47,"_type":48,"marks":49,"text":50},"5815579703d2","span",[],"‘Chi Bella vuole apparire tanto dolore deve soffrire' is a short film, shot on a 16mm Bolex film camera, in the film I am the main character, wearing my mother's dresses in what was her bedroom once. After trying on a few dresses, I suddenly decide to cut my hair completely. A profound physical and violent change that reflects an inner decision, a decision to leave the",[],"normal",{"_key":54,"_type":44,"children":55,"markDefs":60,"style":52},"e0ac9f5f708b",[56],{"_key":57,"_type":48,"marks":58,"text":59},"a73dbabb8b4d",[],"image of who I was behind.",[],{"_key":62,"_type":44,"children":63,"markDefs":68,"style":52},"ffce8c6bdef8",[64],{"_key":65,"_type":48,"marks":66,"text":67},"3f984d86cfcb",[],"'Chi Bella vuole apparire tanto dolore deve soffrire' is what my mother used to tell me when I was only a child. 'Who wants to appear beautiful must suffer much pain'",[],{"_key":70,"_type":44,"children":71,"markDefs":76,"style":52},"0d9b067f3ba4",[72],{"_key":73,"_type":48,"marks":74,"text":75},"f9292833bd30",[],"Her words have been imprinted in my mind. Since then, I wanted, but never managed, to feel beautiful.As a woman, I am recalling her words. I wonder if the pain she suffered was worth it. ",[],{"_key":78,"_type":44,"children":79,"markDefs":84,"style":52},"64faeb53d855",[80],{"_key":81,"_type":48,"marks":82,"text":83},"b62832a6b88d",[],"This work is about my change, physical and interior, my decision to find my beauty, while letting go of the memories. I dedicate the video piece to my mother, the things she believed and she has left behind.",[],"chi-bella-vuole-apparire","‘Chi Bella vuole apparire tanto dolore deve soffrire' is a short film, shot on a 16mm Bolex film camera, in the film I am the main character, wearing my mother's dresses in what was her bedroom once. After trying on a few dresses, I suddenly decide to cut my hair completely. A profound physical and violent change that reflects an inner decision, a decision to leave the\n\nimage of who I was behind.\n\n'Chi Bella vuole apparire tanto dolore deve soffrire' is what my mother used to tell me when I was only a child. 'Who wants to appear beautiful must suffer much pain'\n\nHer words have been imprinted in my mind. Since then, I wanted, but never managed, to feel beautiful.As a woman, I am recalling her words. I wonder if the pain she suffered was worth it. \n\nThis work is about my change, physical and interior, my decision to find my beauty, while letting go of the memories. I dedicate the video piece to my mother, the things she believed and she has left behind.","Chi bella vuole apparire",{"_id":89,"description":32,"mainCategory":21,"shareImage":32,"slides":90,"slug":112,"summary":113,"title":114},"4e0e51b3-bbfd-4777-87ac-f4f91e772ddc",[91,94],{"_key":92,"_type":36,"caption":32,"url":93},"58220f343768","https:\u002F\u002Fvimeo.com\u002F267130809",{"_key":95,"_type":40,"body":96},"3d15b9e80a8f",[97,105],{"_key":98,"_type":44,"children":99,"markDefs":104,"style":52},"15c22b54b285",[100],{"_key":101,"_type":48,"marks":102,"text":103},"7d75921a7d7b",[],"Memoir is a moving image work about dream, loss, and memory. The video consists of three fragmentary super 8 films, which include one found family video.",[],{"_key":106,"_type":44,"children":107,"markDefs":111,"style":52},"74eaa8c29073",[108],{"_key":101,"_type":48,"marks":109,"text":110},[],"\nIn the work I create a relation between present and past through objects, physical materials and intimate places left behind. I am wandering in different locations: my own house, a river nearby, a labyrinth, and the ruins of the abandoned factory once owned by my parents. I am passing through mirrors, falling into dreams and light-reflections, while wearing one of my dead mother's dresses, which, together with the places, are the last things still connected to her image.\nThe darkroom practice physically represents the act of remembering and imagining through materials that are part of our past.\n\n\nAndrée Green, from the book 'The Dead Mother':\n‘ The dream remains a paradigm because it is the model for the whole of our work...the importance of the dream is closely linked to the importance of the concept of representation because, once again, what I think is most important is the dream representation, the thing which repeat itself in the absence of the object... the mind has the capacity to bring something back again which has been related to an object, without the object being there.’",[],"memoir","Memoir is a moving image work about dream, loss, and memory. The video consists of three fragmentary super 8 films, which include one found family video.\n\n\nIn the work I create a relation between present and past through objects, physical materials and intimate places left behind. I am wandering in different locations: my own house, a river nearby, a labyrinth, and the ruins of the abandoned factory once owned by my parents. I am passing through mirrors, falling into dreams and light-reflections, while wearing one of my dead mother's dresses, which, together with the places, are the last things still connected to her image.\nThe darkroom practice physically represents the act of remembering and imagining through materials that are part of our past.\n\n\nAndrée Green, from the book 'The Dead Mother':\n‘ The dream remains a paradigm because it is the model for the whole of our work...the importance of the dream is closely linked to the importance of the concept of representation because, once again, what I think is most important is the dream representation, the thing which repeat itself in the absence of the object... the mind has the capacity to bring something back again which has been related to an object, without the object being there.’","Memoir",{"_id":116,"description":32,"mainCategory":21,"shareImage":32,"slides":117,"slug":173,"summary":174,"title":175},"e5c8e782-c221-4f34-971a-cd960b8433e4",[118,121],{"_key":119,"_type":36,"caption":32,"url":120},"72f182c06ccf","https:\u002F\u002Fvimeo.com\u002F198500149",{"_key":122,"_type":40,"body":123},"d31a11bb4a21",[124,141,157,165],{"_key":125,"_type":44,"children":126,"markDefs":140,"style":52},"fdcedf8b4159",[127,131,136],{"_key":128,"_type":48,"marks":129,"text":130},"90129c113ba5",[],"A short video filmed with a super 8 movie camera (a Quarz DS8-3 camera) and a digital one. The artist combined film and video together using the telecine process. As usual in her work, this project shows a mixture of different techniques and material. the video shows a series of images and multiple-exposures to represent a comparison between the human mind and the camera through the concept\u002Fidea of",{"_key":132,"_type":48,"marks":133,"text":135},"034ee2e9ee72",[134],"em"," camera obscura",{"_key":137,"_type":48,"marks":138,"text":139},"3149f9dfab5e",[],".",[],{"_key":142,"_type":44,"children":143,"markDefs":156,"style":52},"6e3fa2cb4321",[144,148,152],{"_key":145,"_type":48,"marks":146,"text":147},"4cd58d7e2af6",[],"The latin words ",{"_key":149,"_type":48,"marks":150,"text":151},"46ed2123c0f4",[134],"camera obscura",{"_key":153,"_type":48,"marks":154,"text":155},"82296086d934",[]," mean a darkened room presenting a small hole in one of the walls, from which rays of light pass through and they project (on the wall on the other side) an inverted and reversed image of the scene outside. It is considered as the ancestor of the actual movie and photo cameras.",[],{"_key":158,"_type":44,"children":159,"markDefs":164,"style":52},"fa456d504880",[160],{"_key":161,"_type":48,"marks":162,"text":163},"f0d27541c7f0",[],"In the same way human mind and the cameras can be considered as two accurate mechanisms that collect a series of images, memories, ideas and information.",[],{"_key":166,"_type":44,"children":167,"markDefs":172,"style":52},"1b815f421905",[168],{"_key":169,"_type":48,"marks":170,"text":171},"c292a2252436",[],"Director of photography: Nader Chalhoub",[],"camera-obscura","A short video filmed with a super 8 movie camera (a Quarz DS8-3 camera) and a digital one. The artist combined film and video together using the telecine process. As usual in her work, this project shows a mixture of different techniques and material. the video shows a series of images and multiple-exposures to represent a comparison between the human mind and the camera through the concept\u002Fidea of camera obscura.\n\nThe latin words camera obscura mean a darkened room presenting a small hole in one of the walls, from which rays of light pass through and they project (on the wall on the other side) an inverted and reversed image of the scene outside. It is considered as the ancestor of the actual movie and photo cameras.\n\nIn the same way human mind and the cameras can be considered as two accurate mechanisms that collect a series of images, memories, ideas and information.\n\nDirector of photography: Nader Chalhoub","Camera Obscura",{"_id":177,"description":32,"mainCategory":21,"shareImage":32,"slides":178,"slug":394,"summary":395,"title":396},"252db940-8ad3-4dc7-8773-07309c0e6a14",[179,182],{"_key":180,"_type":36,"caption":32,"url":181},"29d101454bfb","https:\u002F\u002Fvimeo.com\u002F735157254",{"_key":183,"_type":40,"body":184},"ac492fe2cb61",[185,198,214,222,230,237,245,253,260,268,276,284,292,300,307,315,323,330,338,346,354,362,370,378,386],{"_key":186,"_type":44,"children":187,"markDefs":197,"style":52},"ad6941092cf4",[188,193],{"_key":189,"_type":48,"marks":190,"text":192},"3f75cde3acef",[191,134],"strong","NON, ",{"_key":194,"_type":48,"marks":195,"text":196},"255ef9fcabe4",[191],"2020",[],{"_key":199,"_type":44,"children":200,"markDefs":210,"style":52},"4ce31bf9d636",[201,205],{"_key":202,"_type":48,"marks":203,"text":204},"1a202399bb12",[191],"Collaboration with ",{"_key":206,"_type":48,"marks":207,"text":209},"0ce1f997ec1b",[208,191],"867a5dbdb66a","Loreal Prystaj",[211],{"_key":208,"_type":212,"href":213},"link","https:\u002F\u002Fwww.lorealprystaj.com\u002Fnon",{"_key":215,"_type":44,"children":216,"markDefs":221,"style":52},"d067c1eff343",[217],{"_key":218,"_type":48,"marks":219,"text":220},"f5b38f86c618",[],"‘Non’ is a short film shot on 16mm, hand-processed and digitized after the lockdown period. A work about an undefined space and time; transformation and changes; imprisonment and liberation. A blackness and darkness that is part of all of us.",[],{"_key":223,"_type":44,"children":224,"markDefs":229,"style":52},"472c0d2d1af0",[225],{"_key":226,"_type":48,"marks":227,"text":228},"efe6e6657e61",[],"",[],{"_key":231,"_type":44,"children":232,"markDefs":236,"style":52},"8204aa4d7404",[233],{"_key":234,"_type":48,"marks":235,"text":228},"0b0169918661",[],[],{"_key":238,"_type":44,"children":239,"markDefs":244,"style":52},"8eca6f6bcad0",[240],{"_key":241,"_type":48,"marks":242,"text":243},"95cc0c45d24f",[191],"NON",[],{"_key":246,"_type":44,"children":247,"markDefs":252,"style":52},"55b28533ad3c",[248],{"_key":249,"_type":48,"marks":250,"text":251},"67f557711c37",[],"The feeling is difficult to express.",[],{"_key":254,"_type":44,"children":255,"markDefs":259,"style":52},"0f5193ec9658",[256],{"_key":257,"_type":48,"marks":258,"text":228},"175544652b42",[],[],{"_key":261,"_type":44,"children":262,"markDefs":267,"style":52},"9b57cc60b6f0",[263],{"_key":264,"_type":48,"marks":265,"text":266},"6450450369c2",[],"It is a non-time",[],{"_key":269,"_type":44,"children":270,"markDefs":275,"style":52},"6a9da315a00d",[271],{"_key":272,"_type":48,"marks":273,"text":274},"18e31e9ac165",[],"non-place",[],{"_key":277,"_type":44,"children":278,"markDefs":283,"style":52},"5152567ee5e3",[279],{"_key":280,"_type":48,"marks":281,"text":282},"043dd8fc02dc",[],"non-human",[],{"_key":285,"_type":44,"children":286,"markDefs":291,"style":52},"d80c5e4d46cd",[287],{"_key":288,"_type":48,"marks":289,"text":290},"7ab6e66e2d39",[],"There is no touch",[],{"_key":293,"_type":44,"children":294,"markDefs":299,"style":52},"161291da25b1",[295],{"_key":296,"_type":48,"marks":297,"text":298},"f03d7227e519",[],"no words to describe it.",[],{"_key":301,"_type":44,"children":302,"markDefs":306,"style":52},"fa8c17b54ddd",[303],{"_key":304,"_type":48,"marks":305,"text":228},"c44bb6dddbf3",[],[],{"_key":308,"_type":44,"children":309,"markDefs":314,"style":52},"b8f9e99b76a6",[310],{"_key":311,"_type":48,"marks":312,"text":313},"f07dddb448e1",[],"It is impossible to talk about",[],{"_key":316,"_type":44,"children":317,"markDefs":322,"style":52},"91345748ef2d",[318],{"_key":319,"_type":48,"marks":320,"text":321},"5ef4ef3c354f",[],"It is something that never happened before",[],{"_key":324,"_type":44,"children":325,"markDefs":329,"style":52},"c497ceae535a",[326],{"_key":327,"_type":48,"marks":328,"text":228},"f26e800f8c6f",[],[],{"_key":331,"_type":44,"children":332,"markDefs":337,"style":52},"1cfb687350d9",[333],{"_key":334,"_type":48,"marks":335,"text":336},"e21b2a44852c",[],"Reality became absurd. No connection",[],{"_key":339,"_type":44,"children":340,"markDefs":345,"style":52},"d7fd321b1bc3",[341],{"_key":342,"_type":48,"marks":343,"text":344},"f16adc853a97",[],"We are imprisoned in this human body which is not human anymore.",[],{"_key":347,"_type":44,"children":348,"markDefs":353,"style":52},"8f959a836ad8",[349],{"_key":350,"_type":48,"marks":351,"text":352},"060dacee222d",[],"We are sculptures locked in a dark space",[],{"_key":355,"_type":44,"children":356,"markDefs":361,"style":52},"71f02e3288fa",[357],{"_key":358,"_type":48,"marks":359,"text":360},"7fb17f628b62",[],"Each movement is now restricted in this limbo",[],{"_key":363,"_type":44,"children":364,"markDefs":369,"style":52},"4f3d78936c76",[365],{"_key":366,"_type":48,"marks":367,"text":368},"2d357c3f0cc1",[],"We are works of art for the next generation",[],{"_key":371,"_type":44,"children":372,"markDefs":377,"style":52},"2484ce581c8c",[373],{"_key":374,"_type":48,"marks":375,"text":376},"8ffed0033510",[],"They will look at us, like a picture in a frame",[],{"_key":379,"_type":44,"children":380,"markDefs":385,"style":52},"4514312cd41e",[381],{"_key":382,"_type":48,"marks":383,"text":384},"42fd8aba053e",[],"Like a sculpture.",[],{"_key":387,"_type":44,"children":388,"markDefs":393,"style":52},"3b0c6c56a6a8",[389],{"_key":390,"_type":48,"marks":391,"text":392},"8c54df52ffe4",[],"Only thing is not to lose ourselves in this unconsciousness.",[],"non","NON, 2020\n\nCollaboration with Loreal Prystaj\n\n‘Non’ is a short film shot on 16mm, hand-processed and digitized after the lockdown period. A work about an undefined space and time; transformation and changes; imprisonment and liberation. A blackness and darkness that is part of all of us.\n\n\n\n\n\nNON\n\nThe feeling is difficult to express.\n\n\n\nIt is a non-time\n\nnon-place\n\nnon-human\n\nThere is no touch\n\nno words to describe it.\n\n\n\nIt is impossible to talk about\n\nIt is something that never happened before\n\n\n\nReality became absurd. No connection\n\nWe are imprisoned in this human body which is not human anymore.\n\nWe are sculptures locked in a dark space\n\nEach movement is now restricted in this limbo\n\nWe are works of art for the next generation\n\nThey will look at us, like a picture in a frame\n\nLike a sculpture.\n\nOnly thing is not to lose ourselves in this unconsciousness.","Non",{"_id":398,"description":32,"mainCategory":21,"shareImage":32,"slides":399,"slug":437,"summary":438,"title":439},"4a77418a-1001-490b-b445-3c6c1582ab6c",[400,403],{"_key":401,"_type":36,"caption":32,"url":402},"3289d49a61ea","https:\u002F\u002Fvimeo.com\u002F471094434?fl=ip&fe=ec",{"_key":404,"_type":40,"body":405},"3111bbac3eef",[406,414,429],{"_key":407,"_type":44,"children":408,"markDefs":413,"style":52},"5dcb40913661",[409],{"_key":410,"_type":48,"marks":411,"text":412},"4947798f8494",[191],"Rückblick, 2020",[],{"_key":415,"_type":44,"children":416,"markDefs":426,"style":52},"3c36898d16ea",[417,421],{"_key":418,"_type":48,"marks":419,"text":420},"9e338003324c",[],"Collaboration with Mathias Hartmann. Music by ",{"_key":422,"_type":48,"marks":423,"text":425},"a5697e6ab61b",[424],"6906c6cba610","Mathias Hartmann",[427],{"_key":424,"_type":212,"href":428},"https:\u002F\u002Fm.soundcloud.com\u002Fmathias_hartmann",{"_key":430,"_type":44,"children":431,"markDefs":436,"style":52},"158018346663",[432],{"_key":433,"_type":48,"marks":434,"text":435},"cb16bee97ca9",[],"Music video shoot on 16mm old film stock. A flashback of a quiet city. A cityscape.",[],"uncover-and-rueckblick","Rückblick, 2020\n\nCollaboration with Mathias Hartmann. Music by Mathias Hartmann\n\nMusic video shoot on 16mm old film stock. A flashback of a quiet city. A cityscape.","Rückblick",{"_id":441,"description":32,"mainCategory":21,"shareImage":32,"slides":442,"slug":493,"summary":494,"title":495},"da13c8a7-7bf1-42e7-952c-61ea516fa389",[443,446],{"_key":444,"_type":36,"caption":32,"url":445},"8a7ad491f82a","https:\u002F\u002Fvimeo.com\u002F471075532",{"_key":447,"_type":40,"body":448},"476ed89b0fd5",[449,457,470,478,486],{"_key":450,"_type":44,"children":451,"markDefs":456,"style":52},"2cbc81822735",[452],{"_key":453,"_type":48,"marks":454,"text":455},"0f17d7ac2159",[191],"Uncover, 2020",[],{"_key":458,"_type":44,"children":459,"markDefs":468,"style":52},"551300e277b2",[460,464],{"_key":461,"_type":48,"marks":462,"text":463},"64c814623fae",[191],"Music by ",{"_key":465,"_type":48,"marks":466,"text":425},"6104ee97bde0",[467,191],"536eecbc4c9e",[469],{"_key":467,"_type":212,"href":428},{"_key":471,"_type":44,"children":472,"markDefs":477,"style":52},"e90748ea6747",[473],{"_key":474,"_type":48,"marks":475,"text":476},"c9c0737da39f",[],"Music video shoot on 16mm old film stock. An empty and isolated landscape is the background for a vividly nostalgic piece of music.",[],{"_key":479,"_type":44,"children":480,"markDefs":485,"style":52},"bd4f703defd5",[481],{"_key":482,"_type":48,"marks":483,"text":484},"851276ad1a46",[],"Selected for Klangspektrum BW -the sound of the country and a great work of music. Where 1,000 musicians will take part in a unique video sound installation.",[],{"_key":487,"_type":44,"children":488,"markDefs":492,"style":52},"cc1d57004bf1",[489],{"_key":490,"_type":48,"marks":491,"text":228},"cf96d9fd69c2",[191],[],"very-long-project-title","Uncover, 2020\n\nMusic by Mathias Hartmann\n\nMusic video shoot on 16mm old film stock. An empty and isolated landscape is the background for a vividly nostalgic piece of music.\n\nSelected for Klangspektrum BW -the sound of the country and a great work of music. Where 1,000 musicians will take part in a unique video sound installation.\n\n","Uncover ",1793722172469]